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The Scarecrow and His Servant, by Philip Pullman
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Outrageously zany and filled with non-stop surprises, Simon Reade’s theatrical adaptation of The Scarecrow and His Servant (a children’s tale by renowned author Philip Pullman), is an enchanting play for young readers and performers.
- Sales Rank: #3287082 in Books
- Published on: 2009-09-01
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .20" w x 5.10" l, .29 pounds
- Binding: Paperback
- 96 pages
About the Author
Philip Pullman is the author of of several novels for adults and children, but it was the His Dark Materials trilogy that gained him world-wide fame and made him the first children's writer to win the Whitbread Award.
Most helpful customer reviews
0 of 0 people found the following review helpful.
"We Might Sometimes Go Hungry, But We Will Never Want for Adventure..."
By R. M. Fisher
Philip Pullman is best known for his young-adult fantasy series "His Dark Materials" as well as the Victorian thrillers starring Sally Lockhart, but he also has quite a few children's books under his belt, all of which are whimsical and comedic in nature. "The Scarecrow and his Servant" is one such story, highly reminiscent of Lloyd Alexander's work and definitely a change of pace from Pullman's darker, more sophisticated fare.
A farmer builds a scarecrow with a turnip for a head and a broomstick for a backbone, and plants it in a field with these words of advice: "Now remember what your job is, and remember where you belong. Be courteous, be brave, and be honorable, and be kind. And the best of blooming luck." Unfortunately, the scarecrow's tenure in this particular field does not last long - each night he is stolen by a neighboring farm until he is miles away from home. But one night, in one of those million-to-one chances, the scarecrow is struck by a bolt of lightning.
Life quickens in his body, and he steps down from his perch with a clear understanding of his purpose in life: to scare birds and to fulfill his Inner Conviction of claiming Spring Valley for his own. He is joined by a young boy called Jack - with no family of his own, Jack accepts the position of servant to the scarecrow, and the two of them start off on the road to seek their fortune.
What follows is an adventure of brigands, actors, armies, birds, and lawyers, in which the scarecrow and his servant traverse the Italian countryside, fall into trouble, muddle their way out again, and inch ever-closer to their goal. Pullman relies heavily on the fairy-tale motif of a foolish master and a wise servant, for the scarecrow can often be brash and foolhardy, and it is Jack's quick thinking that keeps the two of them out of dire straits. They keep up a witty banter throughout, and their dynamic is really rather heartwarming by the book's conclusion.
Long-time fans of Pullman might notice the reoccurring theme of author's fascination with the transitory nature of physicality. In this case, various bits of the scarecrow fall off through his travels only to be replaced with other bits of paraphernalia, until it is argued at the end of the book that he is no longer the scarecrow that started his journey, but a different entity altogether. How true is this? What makes us who we are?
A similar question popped up in "The Tin Princess", in which a national flag is re-sewn until not a single thread remains that was part of the original, and in Pullman's oft-told personal anecdote about his writing shed, which went through so much disrepair and rebuilding that he doubts that any of it is part of the initial building. It poses an interesting question to young readers - where exactly does our character and substance lie? How much of it do you have to take away before one ceases to be? Pretty hefty stuff really, but this IS from the same author who killed off God in a young adult trilogy...
The story all ties together nicely by the end of the book, and is illustrated throughout by Peter Bailey, who has collaborated with Pullman on a number of his children's books. I don't think it's the *most* inventive that Pullman has ever been, but it certainly makes for a humorous and entertaining read.
Note: buyers might want to beware when ordering this particular volume. The fact that the title-page also credits the name "Simon Reade" as a writer suggests that this is the theatrical adaptation of the book, and not the story itself. Best to try a bookshop or your library first.
6 of 9 people found the following review helpful.
Beware! This is not the book described in the reviews.
By Dennis M. Southwood
The book described in the editorial and readers' reviews is not the book being sold here. The book I received is not the novel described by the reviewers; it is an adaptation in the form of a play. Clicking on the illustration to get a look inside shows the paperback novel, not this adaptation. The novel itself seems to be available only through Amazon Marketplace sellers.
Amazon's practice of concatenating all reviews of all editions of a book often makes it difficult to determine what reviewers think about the particular edition one is looking at, but to show only reviews pertaining to other editions and none pertaining to the quite different book being sold goes beyond laziness.
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